WE CAN ALWAYS CALL THEM BULGARIANS

Kaier Curtin
WE CAN ALWAYS CALL THEM BULGARIANS

Curtin focuses on the manner in which lesbian and gay characters were presented on the Broadway stage, with particular emphasis on the period from the 1920s to the 1950s. Further, he also studies the critical, popular, and legal responses to those characters. He draws heavily on published reviews in the major New York newspapers.

342 pages, paperback